Books, Catalogue Essays, & Chapters

Bending Concepts: The Held Essays on Visual Art, 2011-2017,
Eds. Jonathan T. D. Neil and Alexander Nagel (New York: Rail Editions, 2019).
“The Contemporary Art Canon and The Market: A Roundtable Discussion,” in Re-envisioning the Contemporary Art Canon: Perspectives in a Global World, ed. Ruth Iskin (New York: Routledge, 2017).
“The Promise of whiteonwhite,” in Lesley Johnstone, whiteonwhite: une expédition: Eve Sussman, Rufus Corporation, Simon Lee (Musee d’art contemporain de Montréal, 2013).
“Forms of Violence,” in Jonathan T. D Neil, ed. Robert Lazzarini: Guns, Knives, Brass Knuckles (Los Angeles: Honor Fraser, 2012).
“Fidelity to the Image: Robert Longo’s God Machines,” in Robert Longo: God Machines (Paris: Galerie Thaddaeus Ropac, 2011)
“The Screen,” in Tara Donovan (New York: The Pace Gallery, 2015); and Tara Donovan: Drawings (Pins) (New York: The Pace Gallery, 2011)
“The Currency of Kitsch,” in Kei-Seki: Juanli Carrión (CAM Obras Sociales, Concejalia de Cultura del Ayto, and The Farm, New York, 2010).
“Eve Sussman and The Rufus Corporation,” in 100 Video Artists (Madrid: Exit Publications, 2010).
“Rosson Crow’s History Painting: Setting and Speculation,” in Rosson Crow: Texas Crude (London: White Cube, 2009).
“The Look of Looks; or, Ryan McGinness’s Ontology of Color,” in Ryan McGinness: Works (New York: Rizzoli, 2009).

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