REVIEW: Carol Bove | Kimmerich | ArtReview

installview3xlIt is tempting to say that Carol Bove’s show at Kimmerich’s new space in New York was, quite simply, beautiful, and leave it at that. It would not be wrong, either, to state as much, though it likely would be to leave it at that, not only because a show like this, with its conceptual underpinnings (Bove became known for her acute arrangements of historically symbolic items, such as touchstone books and photographs from the 1960s) and manifest attention to detail (no arrangement of things in a gallery has ever been more ‘acute’ than they are here) is after so much more than any mere pronouncement on what can count as beautiful, or perhaps ‘tasteful’, today, but also because one gets the sense that this is exactly what such beauty, or perhaps ‘taste’, is being asked to do – that is, to compel us not to go too far with any kind of enquiry…

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