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		<title>Julian Schnabel 1978-1981 &#124; Oko &#124; ArtReview</title>
		<link>http://jonathantdneil.com/2013/04/26/julian-schnabel-1978-1981-oko-artreview/</link>
		<comments>http://jonathantdneil.com/2013/04/26/julian-schnabel-1978-1981-oko-artreview/#comments</comments>
		<pubDate>Fri, 26 Apr 2013 20:37:15 +0000</pubDate>
		<dc:creator>Jonathan T. D. Neil</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Alison Gingeras]]></category>
		<category><![CDATA[Amalia Dayan]]></category>
		<category><![CDATA[ArtReview]]></category>
		<category><![CDATA[Craig Owens]]></category>
		<category><![CDATA[Daniella Luxembourg]]></category>
		<category><![CDATA[Jonathan T D Neil]]></category>
		<category><![CDATA[Julian Schnable]]></category>
		<category><![CDATA[Mary Boone]]></category>
		<category><![CDATA[Montauk]]></category>
		<category><![CDATA[Oko]]></category>

		<guid isPermaLink="false">http://jonathantdneil.com/?p=830</guid>
		<description><![CDATA[Julian Schnabel, The Patients and the Doctors, 1978; installation at Oko, 2013 It’s hard to divorce Julian Schnabel from context. Indeed context is both the curse and blessing that has come to define the artist’s work and career over the last 35 years. That barrel chest! That hair! Those pajamas! Celeb friends! Montauk! West Village palazzo! [...]]]></description>
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		<title>Hilary Berseth &#124; Future Greats &#124; ArtReview</title>
		<link>http://jonathantdneil.com/2013/04/26/hilary-berseth-future-greats-artreview/</link>
		<comments>http://jonathantdneil.com/2013/04/26/hilary-berseth-future-greats-artreview/#comments</comments>
		<pubDate>Fri, 26 Apr 2013 20:35:58 +0000</pubDate>
		<dc:creator>Jonathan T. D. Neil</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[ArtReview]]></category>
		<category><![CDATA[Bird in Space]]></category>
		<category><![CDATA[Constantin Brancusi]]></category>
		<category><![CDATA[Hilary Berseth]]></category>
		<category><![CDATA[Jonathan T D Neil]]></category>
		<category><![CDATA[Julio González]]></category>
		<category><![CDATA[Richard Serra]]></category>

		<guid isPermaLink="false">http://jonathantdneil.com/?p=822</guid>
		<description><![CDATA[Hilary Berseth, Programmed Hive #7 (2008) Drawing and sculpture share an inherent affinity, which on first glance has to do with their capacities for capturing space and holding it. Julio González synthesised this affinity in a single, and singular, practice. Artists such as Richard Serra cold roll it. Hilary Berseth is peeling back a fold of [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Terry Smith, &#8216;Thinking Contemporary Curating&#8217; &#124; ICI &#124; ArtReview</title>
		<link>http://jonathantdneil.com/2013/04/26/terry-smith-thinking-contemporary-curating-ici-artreview/</link>
		<comments>http://jonathantdneil.com/2013/04/26/terry-smith-thinking-contemporary-curating-ici-artreview/#comments</comments>
		<pubDate>Fri, 26 Apr 2013 20:34:45 +0000</pubDate>
		<dc:creator>Jonathan T. D. Neil</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[ArtReview]]></category>
		<category><![CDATA[Fredric Jameson]]></category>
		<category><![CDATA[Independent Curators International]]></category>
		<category><![CDATA[Jonathan T D Neil]]></category>
		<category><![CDATA[Kirk Vernadoe]]></category>
		<category><![CDATA[Nicolas Bourriaud]]></category>
		<category><![CDATA[Okwui Enwezor]]></category>
		<category><![CDATA[Terry Smith]]></category>

		<guid isPermaLink="false">http://jonathantdneil.com/?p=828</guid>
		<description><![CDATA[Terry Smith’s credentials when it comes to thinking anything that comes after the modifier ‘contemporary’ are second to none.  With a number of articles in heavy-hitting, establishment journals, and a suite of books that he has either authored or edited, Smith has, of late, staked good claim to being the foremost surveyor of our contemporaneity, [...]]]></description>
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		<title>Diana Thater: Chernobyl &#124; David Zwirner Gallery &#124; ArtReview</title>
		<link>http://jonathantdneil.com/2013/04/26/diana-thater-chernobyl-david-zwirner-gallery-artreview/</link>
		<comments>http://jonathantdneil.com/2013/04/26/diana-thater-chernobyl-david-zwirner-gallery-artreview/#comments</comments>
		<pubDate>Fri, 26 Apr 2013 20:33:19 +0000</pubDate>
		<dc:creator>Jonathan T. D. Neil</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Chernobyl]]></category>
		<category><![CDATA[David Zwirner]]></category>
		<category><![CDATA[Diana Thater]]></category>
		<category><![CDATA[Jonathan T D Neil]]></category>
		<category><![CDATA[Plutonium-239]]></category>

		<guid isPermaLink="false">http://jonathantdneil.com/?p=825</guid>
		<description><![CDATA[Diana Thater, Chernobyl (2010); installation, David Zwirner Gallery, 2012 ‘Postapocalyptic’ deserves retirement. It’s had a long, hard-working life, and yet still doesn’t complain when it’s called up to pull the deadweight of descriptive laziness and capitulations to cliché. Take your pick of the ruined, the abandoned, the murdered land, but apocalypse will never make a genuine appearance [...]]]></description>
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		<item>
		<title>Kiki Kogelnik: Early Works 1964-1970 &#124; Simone Subal &#124; ArtReview</title>
		<link>http://jonathantdneil.com/2012/10/31/kiki-kogelnik-early-works-1964-1970-simone-subal-artreview/</link>
		<comments>http://jonathantdneil.com/2012/10/31/kiki-kogelnik-early-works-1964-1970-simone-subal-artreview/#comments</comments>
		<pubDate>Wed, 31 Oct 2012 17:56:36 +0000</pubDate>
		<dc:creator>Jonathan T. D. Neil</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Actionism]]></category>
		<category><![CDATA[Andy Warhol]]></category>
		<category><![CDATA[Arthur C. Clarke]]></category>
		<category><![CDATA[ArtReview]]></category>
		<category><![CDATA[Claes Oldenburg]]></category>
		<category><![CDATA[Donna Haraway]]></category>
		<category><![CDATA[Frank Herbert]]></category>
		<category><![CDATA[Jonathan T D Neil]]></category>
		<category><![CDATA[Kiki Kogelnik]]></category>
		<category><![CDATA[Kurt Vonnegut]]></category>
		<category><![CDATA[Paul Thek]]></category>
		<category><![CDATA[Philip K. Dick]]></category>
		<category><![CDATA[Robert Heinlein]]></category>
		<category><![CDATA[Roy Lichtenstein]]></category>
		<category><![CDATA[Stanislaw Lem]]></category>
		<category><![CDATA[Ursula K. Le Guin]]></category>

		<guid isPermaLink="false">http://jonathantdneil.com/?p=814</guid>
		<description><![CDATA[1961: Lem’s Solaris; 1962: Dick’s The Man in the High Castle; 1963: Vonnegut’s Cat’s Cradle; 1965: Herbert’s Dune; 1966: Heinlein’s The Moon Is a Harsh Mistress; 1967: Zelazny’s Lord of Light; 1968: Clarke’s 2001: A Space Odyssey and Dick’s Do Androids Dream of Electric Sheep?; 1969: Le Guin’s The Left Hand of Darkness… The 1960s [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Ghosts in the Machine &#124; New Museum &#124; ArtReview</title>
		<link>http://jonathantdneil.com/2012/10/31/ghosts-in-the-machine-the-new-museum-artreview/</link>
		<comments>http://jonathantdneil.com/2012/10/31/ghosts-in-the-machine-the-new-museum-artreview/#comments</comments>
		<pubDate>Wed, 31 Oct 2012 17:35:35 +0000</pubDate>
		<dc:creator>Jonathan T. D. Neil</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Billy Kluver]]></category>
		<category><![CDATA[Bruno Munari]]></category>
		<category><![CDATA[Fred Waldhauer]]></category>
		<category><![CDATA[Gary Caririon-Murayari]]></category>
		<category><![CDATA[Harald Szeeman]]></category>
		<category><![CDATA[J. G. Ballard]]></category>
		<category><![CDATA[K.G. Pontus Hulten]]></category>
		<category><![CDATA[Massimiliano Gioni]]></category>
		<category><![CDATA[Maurice Tuchman]]></category>
		<category><![CDATA[Richard Hamilton]]></category>
		<category><![CDATA[Robert Rauschenberg]]></category>
		<category><![CDATA[Robert Whitman]]></category>
		<category><![CDATA[Stan VanDerBeek]]></category>
		<category><![CDATA[The New Museum]]></category>
		<category><![CDATA[Umberto Eco]]></category>
		<category><![CDATA[William Seitz]]></category>
		<category><![CDATA[Willoughby Sharp]]></category>

		<guid isPermaLink="false">http://jonathantdneil.com/?p=807</guid>
		<description><![CDATA[Massimiliano Gioni and Gary Carrion-Murayari’s techno-aesthetic ‘cabinet of curiosities’ is the latest in a line of near-eccentric (as near as the general conservatism of New York’s museums can muster) New Museum exhibitions that take on big themes with big numbers and only limited respect for convention – Ostalgia (2011), After Nature (2009), Unmonumental (2008) being [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8216;Targets of Opportunity&#8217;, or How to Work to Code &#124; Tom Sachs&#8217; SPACE PROGRAM: MARS &#124; ArtReview</title>
		<link>http://jonathantdneil.com/2012/05/16/targets-of-opportunity-or-how-to-work-to-code/</link>
		<comments>http://jonathantdneil.com/2012/05/16/targets-of-opportunity-or-how-to-work-to-code/#comments</comments>
		<pubDate>Wed, 16 May 2012 14:38:16 +0000</pubDate>
		<dc:creator>Jonathan T. D. Neil</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[ArtReview]]></category>
		<category><![CDATA[Creative Time]]></category>
		<category><![CDATA[Gagosian]]></category>
		<category><![CDATA[Jet Propulsion Laboratory]]></category>
		<category><![CDATA[Jonathan T D Neil]]></category>
		<category><![CDATA[JPL]]></category>
		<category><![CDATA[Mission to Mars]]></category>
		<category><![CDATA[NASA]]></category>
		<category><![CDATA[Park Avenue Armory]]></category>
		<category><![CDATA[Samuel Weber]]></category>
		<category><![CDATA[Six Minutes of Terror]]></category>
		<category><![CDATA[Space Program]]></category>
		<category><![CDATA[Tom Sachs]]></category>
		<category><![CDATA[Van Neistat]]></category>

		<guid isPermaLink="false">http://jonathantdneil.com/?p=751</guid>
		<description><![CDATA[SPACE PROGRAM (2007-2012), which the artist Tom Sachs and his studio first introduced at the Gagosian Gallery in Los Angeles, serves as a kind of magnum opus of the DIY and tinker-type workshopping of iconic examples of architecture, design and engineering that Sachs has made his own since the early 1990s. In that 2007 iteration, Sachs [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Gilbert &amp; George: London Pictures &#124; Lehmann Maupin and Sonnabend &#124; ArtReview</title>
		<link>http://jonathantdneil.com/2012/05/16/gilbert-george-london-pictures/</link>
		<comments>http://jonathantdneil.com/2012/05/16/gilbert-george-london-pictures/#comments</comments>
		<pubDate>Wed, 16 May 2012 14:35:41 +0000</pubDate>
		<dc:creator>Jonathan T. D. Neil</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[ArtReview]]></category>
		<category><![CDATA[Gilbert & George]]></category>
		<category><![CDATA[Jonathan T D Neil]]></category>
		<category><![CDATA[Lehmann Maupin]]></category>
		<category><![CDATA[Sonnabend Gallery]]></category>

		<guid isPermaLink="false">http://jonathantdneil.com/?p=769</guid>
		<description><![CDATA[&#8216;Hunt for serial rapist&#8217;. &#8216;Jet bomb plotter jailed&#8217;. &#8216;Man, 81, dies in blaze&#8217;. &#8216;Teen gunman caged&#8217;. &#8216;Pair accused of boys torture&#8217;. &#8216;Royal gay sex blackmail plot&#8217;. &#8216;Evil woman stalker jailed&#8217;. &#8216;Mum killed tot with pills&#8217;. &#8216;Junkie murderer attacked 100-year-old woman&#8217;. &#8216;Bullied girl, 15, stabbed in head&#8217;. &#8216;Sex beast attacks woman in her home&#8217;. &#8216;Man died [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Brice Marden: New Paintings &#124; Matthew Marks &#124; ArtReview</title>
		<link>http://jonathantdneil.com/2012/05/16/brice-marden-new-paintings/</link>
		<comments>http://jonathantdneil.com/2012/05/16/brice-marden-new-paintings/#comments</comments>
		<pubDate>Wed, 16 May 2012 14:34:18 +0000</pubDate>
		<dc:creator>Jonathan T. D. Neil</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Adolf Loos]]></category>
		<category><![CDATA[Brice Marden]]></category>
		<category><![CDATA[Gilles Deleuze]]></category>
		<category><![CDATA[Jonathan T D Neil]]></category>
		<category><![CDATA[Matthew Marks]]></category>
		<category><![CDATA[Mies van der Rohe]]></category>
		<category><![CDATA[Ru Ware]]></category>

		<guid isPermaLink="false">http://jonathantdneil.com/?p=782</guid>
		<description><![CDATA[Brice Marden’s ‘new paintings’ – one series of compositions in oil and graphite on fragmented slabs of marble and another series of nine modestly sized monochrome canvases – are not so much paintings as exercises, the kind of thing (good) painters do when trying to shake out old habits and awaken some dormant muscles. In [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>John Kessler: The Blue Period &#124; Salon 94 Bowery &#124; ArtReview</title>
		<link>http://jonathantdneil.com/2012/03/21/john-kessler-the-blue-period-salon-94-bowery-artreview/</link>
		<comments>http://jonathantdneil.com/2012/03/21/john-kessler-the-blue-period-salon-94-bowery-artreview/#comments</comments>
		<pubDate>Thu, 22 Mar 2012 00:37:42 +0000</pubDate>
		<dc:creator>Jonathan T. D. Neil</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Blue Period]]></category>
		<category><![CDATA[Contemporary Art]]></category>
		<category><![CDATA[John Kessler]]></category>
		<category><![CDATA[Jonathan T D Neil]]></category>
		<category><![CDATA[Leigh Ledare]]></category>
		<category><![CDATA[Liz Magic Laser]]></category>
		<category><![CDATA[Salon 94 Bowery]]></category>

		<guid isPermaLink="false">http://jonathantdneil.com/?p=741</guid>
		<description><![CDATA[John Kessler, The Blue Period (2007/2011); installation view, Salon 94 Bowery That The Blue Period (2007/2011) was first shown at the old Arndt &#38; Partner (now just Arndt) in Berlin in 2007, and then at Art Basel in 2008, and has now arrived at Salon 94 Bowery in New York in 2012 is noteworthy for [...]]]></description>
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