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	<link>http://jonathantdneil.com</link>
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		<title>&#8216;Targets of Opportunity&#8217;, or How to Work to Code &#124; Tom Sachs&#8217; SPACE PROGRAM: MARS &#124; ArtReview</title>
		<link>http://jonathantdneil.com/2012/05/16/targets-of-opportunity-or-how-to-work-to-code/</link>
		<comments>http://jonathantdneil.com/2012/05/16/targets-of-opportunity-or-how-to-work-to-code/#comments</comments>
		<pubDate>Wed, 16 May 2012 14:38:16 +0000</pubDate>
		<dc:creator>Jonathan T. D. Neil</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[ArtReview]]></category>
		<category><![CDATA[Creative Time]]></category>
		<category><![CDATA[Gagosian]]></category>
		<category><![CDATA[Jet Propulsion Laboratory]]></category>
		<category><![CDATA[Jonathan T D Neil]]></category>
		<category><![CDATA[JPL]]></category>
		<category><![CDATA[Mission to Mars]]></category>
		<category><![CDATA[NASA]]></category>
		<category><![CDATA[Park Avenue Armory]]></category>
		<category><![CDATA[Samuel Weber]]></category>
		<category><![CDATA[Six Minutes of Terror]]></category>
		<category><![CDATA[Space Program]]></category>
		<category><![CDATA[Tom Sachs]]></category>
		<category><![CDATA[Van Neistat]]></category>

		<guid isPermaLink="false">http://jonathantdneil.com/?p=751</guid>
		<description><![CDATA[SPACE PROGRAM (2007-2012), which the artist Tom Sachs and his studio first introduced at the Gagosian Gallery in Los Angeles, serves as a kind of magnum opus of the DIY and tinker-type workshopping of iconic examples of architecture, design and engineering that Sachs has made his own since the early 1990s. In that 2007 iteration, Sachs [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Gilbert &amp; George: London Pictures &#124; Lehmann Maupin and Sonnabend &#124; ArtReview</title>
		<link>http://jonathantdneil.com/2012/05/16/gilbert-george-london-pictures/</link>
		<comments>http://jonathantdneil.com/2012/05/16/gilbert-george-london-pictures/#comments</comments>
		<pubDate>Wed, 16 May 2012 14:35:41 +0000</pubDate>
		<dc:creator>Jonathan T. D. Neil</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[ArtReview]]></category>
		<category><![CDATA[Gilbert & George]]></category>
		<category><![CDATA[Jonathan T D Neil]]></category>
		<category><![CDATA[Lehmann Maupin]]></category>
		<category><![CDATA[Sonnabend Gallery]]></category>

		<guid isPermaLink="false">http://jonathantdneil.com/?p=769</guid>
		<description><![CDATA[&#8216;Hunt for serial rapist&#8217;. &#8216;Jet bomb plotter jailed&#8217;. &#8216;Man, 81, dies in blaze&#8217;. &#8216;Teen gunman caged&#8217;. &#8216;Pair accused of boys torture&#8217;. &#8216;Royal gay sex blackmail plot&#8217;. &#8216;Evil woman stalker jailed&#8217;. &#8216;Mum killed tot with pills&#8217;. &#8216;Junkie murderer attacked 100-year-old woman&#8217;. &#8216;Bullied girl, 15, stabbed in head&#8217;. &#8216;Sex beast attacks woman in her home&#8217;. &#8216;Man died [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Brice Marden: New Paintings &#124; Matthew Marks &#124; ArtReview</title>
		<link>http://jonathantdneil.com/2012/05/16/brice-marden-new-paintings/</link>
		<comments>http://jonathantdneil.com/2012/05/16/brice-marden-new-paintings/#comments</comments>
		<pubDate>Wed, 16 May 2012 14:34:18 +0000</pubDate>
		<dc:creator>Jonathan T. D. Neil</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Adolf Loos]]></category>
		<category><![CDATA[Brice Marden]]></category>
		<category><![CDATA[Gilles Deleuze]]></category>
		<category><![CDATA[Jonathan T D Neil]]></category>
		<category><![CDATA[Matthew Marks]]></category>
		<category><![CDATA[Mies van der Rohe]]></category>
		<category><![CDATA[Ru Ware]]></category>

		<guid isPermaLink="false">http://jonathantdneil.com/?p=782</guid>
		<description><![CDATA[Brice Marden’s ‘new paintings’ – one series of compositions in oil and graphite on fragmented slabs of marble and another series of nine modestly sized monochrome canvases – are not so much paintings as exercises, the kind of thing (good) painters do when trying to shake out old habits and awaken some dormant muscles. In [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>John Kessler: The Blue Period &#124; Salon 94 Bowery &#124; ArtReview</title>
		<link>http://jonathantdneil.com/2012/03/21/john-kessler-the-blue-period-salon-94-bowery-artreview/</link>
		<comments>http://jonathantdneil.com/2012/03/21/john-kessler-the-blue-period-salon-94-bowery-artreview/#comments</comments>
		<pubDate>Thu, 22 Mar 2012 00:37:42 +0000</pubDate>
		<dc:creator>Jonathan T. D. Neil</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Blue Period]]></category>
		<category><![CDATA[Contemporary Art]]></category>
		<category><![CDATA[John Kessler]]></category>
		<category><![CDATA[Jonathan T D Neil]]></category>
		<category><![CDATA[Leigh Ledare]]></category>
		<category><![CDATA[Liz Magic Laser]]></category>
		<category><![CDATA[Salon 94 Bowery]]></category>

		<guid isPermaLink="false">http://jonathantdneil.com/?p=741</guid>
		<description><![CDATA[John Kessler, The Blue Period (2007/2011); installation view, Salon 94 Bowery That The Blue Period (2007/2011) was first shown at the old Arndt &#38; Partner (now just Arndt) in Berlin in 2007, and then at Art Basel in 2008, and has now arrived at Salon 94 Bowery in New York in 2012 is noteworthy for [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Michael Snow: In The Way &#124; Jack Shainman &#124; ArtReview</title>
		<link>http://jonathantdneil.com/2012/03/21/michael-snow-the-viewing-of-six-new-works-artreview/</link>
		<comments>http://jonathantdneil.com/2012/03/21/michael-snow-the-viewing-of-six-new-works-artreview/#comments</comments>
		<pubDate>Thu, 22 Mar 2012 00:28:48 +0000</pubDate>
		<dc:creator>Jonathan T. D. Neil</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[ArtReview]]></category>
		<category><![CDATA[Contemporary Art]]></category>
		<category><![CDATA[Jack Shainman]]></category>
		<category><![CDATA[Jonathan T D Neil]]></category>
		<category><![CDATA[Michael Snow]]></category>

		<guid isPermaLink="false">http://jonathantdneil.com/?p=737</guid>
		<description><![CDATA[Michael Snow, The Viewing of Six New Works (2012); Installation view, Jack Shainman All of the work in Michael Snow’s In the Way – some older, such as Exchange (1985), an early holographic work of a man mugging for the camera, and La Ferme (1998), a blown-up and recut filmstrip of cows in a field; and one newer, In the Way (2011), a floor-bound [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The best work of art in &#8216;The Ungovernables&#8217; at The New Museum&#8230;</title>
		<link>http://jonathantdneil.com/2012/02/18/the-best-work-of-art-in-the-ungovernables-at-the-new-museum/</link>
		<comments>http://jonathantdneil.com/2012/02/18/the-best-work-of-art-in-the-ungovernables-at-the-new-museum/#comments</comments>
		<pubDate>Sat, 18 Feb 2012 18:20:43 +0000</pubDate>
		<dc:creator>Jonathan T. D. Neil</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Barry Le Va]]></category>
		<category><![CDATA[Cinthia Marcelle]]></category>
		<category><![CDATA[Contemporary Art]]></category>
		<category><![CDATA[Jonathan T D Neil]]></category>
		<category><![CDATA[O Século]]></category>
		<category><![CDATA[Pollock]]></category>
		<category><![CDATA[Structural Film]]></category>
		<category><![CDATA[The Generational]]></category>
		<category><![CDATA[The New Museum]]></category>
		<category><![CDATA[The Ungovernables]]></category>
		<category><![CDATA[Tiago Mata Machado]]></category>
		<category><![CDATA[Video Art]]></category>

		<guid isPermaLink="false">http://jonathantdneil.com/?p=714</guid>
		<description><![CDATA[Cinthia Marcelle &#38; Tiago Mata Machado, O Século (The Century), 2011 …is by Cinthia Marcelle &#38; Tiago Mata Machado, and it is called O Século (The Century) (2011).  It’s a video, roughly ten-minutes long, and it shows a sun-raked, empty street, the kind you find at the edges or in the industrial zones of cities. Marcelle [...]]]></description>
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		<title>ARTICLE: Eve Sussman and The Rufus Corporation &#124; ArtReview</title>
		<link>http://jonathantdneil.com/2012/01/13/article-eve-sussman-and-the-rufus-corporation-artreview/</link>
		<comments>http://jonathantdneil.com/2012/01/13/article-eve-sussman-and-the-rufus-corporation-artreview/#comments</comments>
		<pubDate>Fri, 13 Jan 2012 16:40:53 +0000</pubDate>
		<dc:creator>Jonathan T. D. Neil</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[ArtReview]]></category>
		<category><![CDATA[Eve Sussman]]></category>
		<category><![CDATA[Jonathan T D Neil]]></category>
		<category><![CDATA[Malevich]]></category>
		<category><![CDATA[Stanislaw Lem]]></category>
		<category><![CDATA[The Rufus Corporation]]></category>
		<category><![CDATA[whiteonwhite:aglorithmicnoir]]></category>

		<guid isPermaLink="false">http://jonathantdneil.com/?p=706</guid>
		<description><![CDATA[Eve Sussman and The Rufus Corporation, still from whiteonwhite:algorithmicnoir, 2011 &#160; The question of why Kazimir Malevich, painter of the Black Square (1914–5), inventor of Suprematism, plowhead of Russian Modernism and sacrifice of the Soviet avant-garde, turned, or rather returned, during the 1930s, to painting odd, faceless, geometricised peasants has yet to be answered fully [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>REVIEW: Dissonant Returns at Art Basel Miami Beach &#124; Art Agenda</title>
		<link>http://jonathantdneil.com/2011/12/03/dissonant-returns-at-art-basel-miami-beach-art-agenda/</link>
		<comments>http://jonathantdneil.com/2011/12/03/dissonant-returns-at-art-basel-miami-beach-art-agenda/#comments</comments>
		<pubDate>Sat, 03 Dec 2011 14:00:46 +0000</pubDate>
		<dc:creator>Jonathan T. D. Neil</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Ana Mandieta]]></category>
		<category><![CDATA[Andy Warhol]]></category>
		<category><![CDATA[Art Agenda]]></category>
		<category><![CDATA[Art Basel Miami Beach]]></category>
		<category><![CDATA[Barbara Kruger]]></category>
		<category><![CDATA[Carl Andre]]></category>
		<category><![CDATA[Cognitive Dissonance]]></category>
		<category><![CDATA[Elmgreen & Dragset]]></category>
		<category><![CDATA[Emily Sundblad]]></category>
		<category><![CDATA[Jonathan T D Neil]]></category>
		<category><![CDATA[L&M Arts]]></category>
		<category><![CDATA[Martha Rosler]]></category>

		<guid isPermaLink="false">http://jonathantdneil.com/?p=702</guid>
		<description><![CDATA[Barbara Kruger, &#8220;Untitled&#8221; (Money makes money), 2011 Cognitive dissonance. It’s a cliché by now, a toss-off term used to explain (or to keep from explaining) all sorts of contradictions, hypocrisies, moral and ethical failings, feats of self-loathing, etc. It has become a standard operating principle, the kernel of cynical reason, the delivery mechanism of mental detachment. [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Boyd Level Guide to Art Basel Miami Beach 2011</title>
		<link>http://jonathantdneil.com/2011/11/16/boyd-level-miami-guide-2011/</link>
		<comments>http://jonathantdneil.com/2011/11/16/boyd-level-miami-guide-2011/#comments</comments>
		<pubDate>Wed, 16 Nov 2011 16:43:27 +0000</pubDate>
		<dc:creator>Jonathan T. D. Neil</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art Basel Miami Beach]]></category>
		<category><![CDATA[Art Fairs]]></category>
		<category><![CDATA[Boyd Level]]></category>
		<category><![CDATA[Miami Basel]]></category>

		<guid isPermaLink="false">http://jonathantdneil.com/?p=689</guid>
		<description><![CDATA[Boyd Level&#8217;s 2011 Pocket Guide to Art Basel Miami Beach is now available for download (print double-sided and fold into quarters). &#160;]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>POST: On seeing a performance of exploitation&#8230; &#124; Artworld Salon</title>
		<link>http://jonathantdneil.com/2011/11/12/post-on-seeing-a-performance-of-exploitation-artworld-salon/</link>
		<comments>http://jonathantdneil.com/2011/11/12/post-on-seeing-a-performance-of-exploitation-artworld-salon/#comments</comments>
		<pubDate>Sat, 12 Nov 2011 19:42:30 +0000</pubDate>
		<dc:creator>Jonathan T. D. Neil</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Hrag Vartanian]]></category>
		<category><![CDATA[Jeffrey Deitch]]></category>
		<category><![CDATA[Jonathan T D Neil]]></category>
		<category><![CDATA[LA Moca]]></category>
		<category><![CDATA[Marina Abramovic]]></category>
		<category><![CDATA[Yvonne Rainer]]></category>

		<guid isPermaLink="false">http://jonathantdneil.com/?p=684</guid>
		<description><![CDATA[Originally posted at Artworld Salon. Making its way across the web as I write is a story about the exploitation of performers at the hands of Marina Abramović.  ARTINFO is running the best recap of the story, and Hrag Vartanian at Hyperallergic has picked it up and carried it as well, but here’s a brief: Abramović was tapped by LA MOCA to [...]]]></description>
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